Tag Archives: Laplace

Cosmogenesis (8) : The Nebular Hypothesis

Sequel of the preceding post Cosmogenesis (7) : The Date of the Creation

The Nebular Hypothesis

The ancient Babylonians had a different idea of how the world began. They believed that it had evolved rather than being created instantaneously. Assyrian inscriptions have been found which suggest that the cosmos evolved after the Great Flood and that the animal kingdom originated from earth and water. This idea was at least partially incorporated into a monotheist doctrine and found its way into the sacred texts of the Jews, neighbors and disciples of the Babylonians. It was also taken up by the early Ionian philosophers, including Anaximander and Anaximenes, and by the Stoics and atomists.

A portrait of Democritus (460-370 BC), the founder of atomistic theory.
A portrait of Democritus (460-370 BC), the founder of atomistic theory.

Democritus developed a theory that the world had originated from the void, a vast region in which atoms were swirling in a whirlpool or vortex. The heaviest matter was sucked into the center of the vortex and condensed to form the earth. The lightest matter was thrown to the outside where it revolved so rapidly that it eventually ignited to form the stars and planets. These celestial bodies, as well as the earth itself, were kept in position by centrifugal force. This concept admitted the possibility that the universe contained an infinite number of objects. It also anticipated the 19th century theory of the origin of the solar system, known as the nebular hypothesis, according to which a “primitive nebula” condensed to form the sun and planets.

The idea of universal evolution had a strong influence on classical thought and developed in various directions during Greek and Roman times. In the first century BC Lucretius extended the theories of atomism and evolution to cover every natural phenomenon[i] and argued that all living things originated from earth. Two centuries later, in his medical treatise On the Use of the Parts of the Body[ii], the Greek physician Galen (Claudius Galenus) expressed the essentially Stoic view that matter is eternal and that even God is subject to the laws of nature: contrary to the literal interpretation of the Genesis story, he could not have “formed man from the dust of the ground”; he could only have shaped the dust according to the laws governing the behaviour of matter. The Church Fathers, who insisted that the Creation was instantaneous, rejected any sort of evolutionary theory; to them the ideas of the Stoics and atomists were heretical.

In the second half of the 16th century the idea of universal evolution began to be incorporated into the new system of scientific thought resulting from the work of Copernicus, Kepler, Galileo, Descartes and Newton. According to Descartes, for example, space consisted of “whirlpools” of matter whose motion was governed by the laws of physics. Newton, with his theory of universal attraction, was accused of having substituted gravitation for providence, for having replaced God’s spiritual influence on the cosmos by a material mechanism[iii]. A new view of the world had nevertheless been established, whereby the workings of the universe were subject not to the whim of the Almighty but to the laws of physics – it was an irreversible step. Continue reading

Cosmogenesis (4) : The Creator

Sequel of the preceding post Cosmogenesis (3) : Time and Creation

The Creator

The fundamental theological question about the Creation is: who created the universe? The Christian doctrine of the Holy Trinity asserts that God comprises three Persons: the Father, the Son and the Holy Spirit. Some theologians have regarded God as the first Person of the Trinity, “the omnipotent Father”, Creator of heaven and earth. Others have focused on the image of the “Spirit of God moving upon the face of the waters” and envisaged the Holy Spirit as the Creator. Others again, in an attempt to reconcile these viewpoints, have maintained that the Holy Trinity itself created the world – a reminder of the Vedic belief in a supreme being incarnated as a single body (Trimurti) with three heads: those of Brahma, Vishnu and Siva.

The Hindu Triad. One of the central images of Indian mythology is the Hindu Triad (Trimurti) of Brahma, the creator, Vishnu, the maintainer, and Siva, the destroyer. In this picture they are shown combined into a single body with four arms. Album of paintings of Indian gods and rulers, 1831. Paintings with captions in Tamil and French. BNF, Manuscripts, Indian 744.
The Hindu Triad. One of the central images of Indian mythology is the Hindu Triad (Trimurti) of Brahma, the creator, Vishnu, the maintainer, and Siva, the destroyer. In this picture they are shown combined into a single body with four arms.
Album of paintings of Indian gods and rulers, 1831. Paintings with captions in Tamil and French. BNF, Manuscripts, Indian 744.

These different theological perspectives are reflected throughout the Middle Ages (in fact right up to the 18th century) in religious art, where one or other interpretation of the Genesis story is illustrated in mosaics, paintings, sculptures, stained glass windows, illuminations and engravings.

The most familiar image of the Creator is the patriarchal figure of the Father (the archetypal example being Michelangelo’s fresco on the ceiling of the Sistine Chapel).

God the Father Dividing the Light from the Darkness. In this 16th century engraving, which was clearly influenced by the work of Michelangelo, the Creator, in the form of the first Person of the Holy Trinity, God the Father, is dividing the light (represented by the sun) from the darkness (represented by the moon). Engraving by Raphael Sadeler, in Thesaurus Historia..., 1585
God the Father Dividing the Light from the Darkness. In this 16th century engraving, which was clearly influenced by the work of Michelangelo, the Creator, in the form of the first Person of the Holy Trinity, God the Father, is dividing the light (represented by the sun) from the darkness (represented by the moon).
Engraving by Raphael Sadeler, in Thesaurus Historia…, 1585
Young Christ as Creator. The wonderful fresco adorning the cupola of the baptistery of San Giovanni in Padua is the work of the Florentine artist Giusto Dei Menabuoi, who was active in the second half of the 14th century. It shows God the Son as Creator. Giusto Dei Menabuoi, [The Creation of the World], 14th century.
Young Christ as Creator. The wonderful fresco adorning the cupola of the baptistery of San Giovanni in Padua is the work of the Florentine artist Giusto Dei Menabuoi, who was active in the second half of the 14th century. It shows God the Son as Creator.
Giusto Dei Menabuoi, [The Creation of the World], 14th century.

As the Holy Spirit the Creator is represented by a dove (the ancient Christian symbol of the Divine Spirit) – in the work of Robert Fludd, for example – or by the Hebrew word “Jehova” surrounded by a symbol of fire (recalling the burning bush from which Moses received the word of God). In a few cases the Creator is shown as a young Christ figure – in the 13th century mosaics of the Basilica of San Marco in Venice and the 14th century frescos of Giusto Dei Menabuoi in Padua, for example. Continue reading